Archive for the ‘Mixology’ Category

A Trip To Daddy-O NYC

October 29, 2009


My girlfriend and I head down to the IFC center in the East Village on many weekends in order to see independent and cult films such as the Holy Mountain or the Shining. The price of admission is exactly the same as some of the other movie houses in Manhattan but I feel far better supporting an independent theater like the IFC with my twelve dollars versus an AMC that most likely charges less in other cities.

On our last visit I realized that the IFC center was in close vicinity to a bar and grill that I had been meaning to try for some time. The venue was Daddy-O and I had heard of this gastro-pub on the video podcast Art of the Drink.


The podcast featured the bar as a backdrop for several episodes of the instructional drink show and the venue didn’t make that much of an impact on me with the exception of one of their featured cocktails. That drink was the Daddy-O Rootbeer Float. An amazing fusion of the kid and party animal in us all.

Before planning our excursion to the IFC and Daddy-O I mentioned to my girlfriend that I had seen the Rootbeer Float episode and as I was describing this drink, my voice got increasingly louder until I reached my crescendo and stated that “The garnish is, can you believe it, a pretzel stick!”

My speech definitely hyped us up and we ultimately decided to go the very next day. The Daddy-O Rootbeer float would be our first order but what else would we find at this east side bar?

Learn how to make the PRETZEL STICK drink here

[please note that Daddy-O uses Sazerac Rye instead of Maker’s Mark Bourbon which is a sponsor of Art of the Drink. I personally believe the Sazerac worked pheonomally well probably due to the spice notes of both the rye and the rootbeer]


The IFC center was great as always that night and we walked several avenues over and we barely caught our destination. Daddy-O has a very unassuming location on the corner of Bedford and Leroy. The entrance had a cool but simple sophistication to it, the blinds were half drawn and the gold lettering on the door was reminiscent of a town barbershop.

The ambiance as we entered was casual but very nice. It would make a nice place for one to catch up with a loud friend or two. The music was spectacular with a great blend of classic and contemporary cuts. On a second visit to Daddy-O, I had the pleasure of listening to a Who playlist the entire night with many obscure alternate and live takes of some of their older numbers – that definitely scored some points for me.

Upon entering the place and after further investigation, you realize that Daddy-O has all the appeal of a dive bar but without the jager bombs and clueless staff behind the stick. Its a new age pub that marries together the new Cocktilian/gastro movement with a casual down to earth feeling. A venue with lofty ambitions without being pretentious


We went to Daddy-O based on the reputation of the drinks but when I sat down I was immediately hungry. The kitchen stayed upon till 4 am remarkably and the had some great daily specials. My girlfriend especially loved the “homemade tomato soup with grilled cheese toast points” special they had that night.

I decided to order the house burger which, online, is hotly debated. I heard everything from it being the greatest burger in Manhattan to being an overrated expensive meal. I was feeling particularly jovial and I decided to take a chance.

Besides, I had already given the most overrated burger title to Island Burger on 9th ave. To this day, I have not had a burger that I felt was as big a waste of money as that monstrosity of toppings but that’s another review.

The burger came out fairly quickly and I was so psyched to try it with tater tots on the side. I have never been a big fry person and tater tots just made this a special treat. The burger was a perfect composition of everything one wants in a restaurant style patty. It was big and juicy but still, relatively, easy to handle.

The bun. lettuce, tomato, pickles, onion, and sauce gelled well and, even though I am not a fan of ketchup on burgers, the ketchup worked well and I actually enjoyed it. This is by far the best restaurant style burger in New York City, that being said, if you want that style of burger, the price isn’t going to be five dollars. One should savor this burger on the kind of day that where you feel the need to treat yourself to some meaty goodness


Ah yes! The Rootbeer float, how did it fair, after so much hype? It was better than any podcast could have portrayed it. As I said earlier the incorporation of the Sazerac was a welcome surprise and rounded out the drink perfectly. The bar has a great affection for whiskey cocktails and it was refreshing to see rye on a menu, especially in a drink as spectacular as this.

The drink was served in a tall pilsner glass with cream and that glorious pretzel stick cascading over it like a set of majestic snow topped mountains. The first sip was a taste explosion with the flavors of the dairy, raspberry, rye, and rootbeer all dancing on your palate to the beat of the carbonation. The Coole Swan dairy liqueur really held the flavors together and I think mixologists will have to investigate this new spirit closer.

My girlfriend and I finished the float quite fast but while it lasted it was an awesome accompaniment to the house burger. The whole experience felt like being in a speakeasy soda shoppe that your parents didn’t know about.

We finished off our night with a Sloe Gin Fizz for myself and a Brown Derby for my love. The Sloe Gin Fizz at Daddy-O was the first time I had tried this drink and I absolutely loved it. The problem many bars have with egg drinks is that either too little or too much egg is used (many a pisco sour has been ruined by this problem) and this drink found a great balance.

The Brown Derby was another classic cocktail that had great execution while showing Daddy-O’s penchent for all things whiskey. I highly recommend this new age pub. If you don’t want to deal with the pretentiousness of places like Hotel Delmano or Death & Company but still want to have well crafted drinks and delicious food, check out Daddy-O. DON’T FORGET TO GET A PRETZEL STICK!

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The Manhattan Cocktail Classic

October 28, 2009


All avenues of fandom and fanaticism have their holy temples. As aficionados geeks of al kinds need to make at least one pilgrimage to their own respective Meccas. It is that fundamental human need for joining a greater collective or cause.

Hobbyists and the self proclaimed fan boys of any interest whether it is film or football seek the freedom to express themselves without fear or judgment that is why trekkies have their conventions and every man who dresses like Dr. Frankenfurter has his midnight Rocky Horror Picture Show.


Until recently, the culture of cocktilians, mixologists, and drink nerds has purely been a virtual one with blogs acting as vibrant forums of interaction and discussion. The blogosphere spearheaded the modern cocktail revolution demanding a return to fresh flavors, well balanced compositions, and time honored techniques. The virtual community of mixed drink fanboys lifted the cocktail back to a place of culinary status in our society.

If sites like Robert Hess’s and Gary Regan’s hadn’t channeled the passions of thousands of other cocktail enthusiasts we may never have seen long lost classics like the Last Word and the Aviation cocktail returning to bar menus. [Ted “Dr. Cocktail” Haigh dedicates a great section in his book Vintage Spirits and Forgotten Cocktails to the impact of the blogosphere on the drinking culture. It even comes with some great profiles of many of those writers].


It looked like mixology would remain a purely digital culture, outside the barroom, until one event in New Orleans started to dramatically rise in popularity. Tales of the Cocktail was the first and only cocktilian convention. In 2009 a hundred thousand people descended onto the French Quarter according to the Liquid The event each year in July holds seminars, parties, competitions, concerts, tastings, and even an awards show.

Dale Degroff author of The Essential Cocktail and founder of the Museum of the American Cocktail stated at Tales that he sees the future of mixology as not just bartenders putting avocados and basil into their drinks but bartenders fostering a sense of a greater bartending community. What would be the next step in fostering this community? Why not create an event like Tales of the Cocktail in the cradle of the whole bartending scene, New York City?


Gotham was the city with the first famous bars and mixologists hosting legendary hotels and even larger the life figures such as Jerry Thomas (the man who wrote the very first bartenders guide in 1862. New York led the golden age during the late 19th century and early 20th century sharing sours, slings, flips, and fixes with travelers from around the world. The city’s speakeasies during prohibition kept the craft alive and in the artificially flavored wasteland of the 70s and 80s venues like the Rainbow Room squeezed fresh juices and kept flavors honest.

Today, the new mixology renaissance’s capitol is New York. Gotham bars such as PDT with its bacon infused old fashioned, Pegu Club with its champagne take on the Mojito known as the Old Cuban, and Death & Company with is next generation gin zombie known as the Winchester have all changed the face of contemporary bartending. New York would be a natural fit for a new cocktail congregation and for me the perfect opportunity to dive head first into the cocktail culture.


The event would be in May 2010 over a period of five days with a preview weekend in October 2-4 2009. The preview week would take place at Astor Center and be composed of seminars taught by the world’s leading mixologists, lectures in New York’s greatest bars, and a final party at the New York Public library in midtown Sunday night.

I first picked David Wondrich’s class “History of the Cocktail in New York, 1810-1920.” I had read his book Imbibe! over the summer and his expertise as a cocktail historian is unmatched.I then went with Audrey Sanders and Gary Regan’s “Unparalleled Gin Palaver.” I had a running challenge with my girlfriend that I could not make a gin drink she would like. I was hoping the gin queen herself, Audrey Sanders, could give me some new weapons in my arsenal to tackle that challenge.


I entered the doors of “History of the Cocktail, 1810-1920” and I was immediately seated at a table with connoisseurs and journalists while getting handed a Holland Gin Cocktail in what was a beautiful lecture hall overlooking St. Mark’s place. I took one sip and one look around and I knew I had found my church. Wondrich’s sermon was a wonderful and fanciful affair with anecdotes about the how Gotham shaped not only American drinking habits but the world.

The seminar was what the event was all about- highlighting the contributions New York had made to the bartending scene. As Wondrich said, “the Cocktail stands as first among equals. If there’s something about a quick jolt of ice-cold, mixed up boozy deliciousness that’s essentially American, then its quintessentially New York.”

No amount of reporting can do the seminar justice but its fair to say that Wondrich has great enthusiasm and class about him. He really takes you back to an era that seems so removed from our time and yet shows it to us in a down to earth manner. During the seminar he mixed up five drinks and as I disclosed earlier, I did not have any breakfast, so I was, unlike most of the attendees, drinking accurately in the nineteenth century style.

Wondrich stated in his class that drinking started out as a breakfast activity (I did not want to be this historically accurate however). At fist I thought that perhaps we were expected to imbibe of all five drinks – an avenue that surely would have killed me – but luckily I started to notice that everyone was relatively moderate on their consumption.

The drinks were passed out as Wondrich described them, although at first the audience was humorously a drink ahead of him. It was quite special to sip while he explained the history and nuance of these concoctions, many of which were quite simple by design but with its lush history and bold flavors took on a whole new dimension. Reproduced are the five cocktails that he made for the class:

Willard’s Gin Cock-tail (ca. 1820)

Muddle 1 lump Demerara sugar and a shade of Stoughan’s Bitters in ½ oz water

Add 2 oz of Bols Genever and stir

Add a large lump of ice and stir again

Grate a little nutmeg over the top

[This one was a slow sipper and a close favorite of the whole. This is basically a primitive Genever old fashioned but it’s in that simplicity that this drink really shines. This will probably be the only time I get to try a batch of Stoughan’s Bitters and at the end of this cocktail I was very grateful to try them]

Jerry Thomas’s Fancy Brandy Cocktail (ca. 1850)

Stir with cracked ice:

2 oz Martell VSOP cognac

1 teaspoon rich simple syrup

½ teaspoon Grand Marnier

2 dashes of Fee’s Whiskey-Barrel bitters

Strain into a chilled cocktail glass, twist swatch of thin-cut lemon peel over the top, rub it around the rim of the glass and drop it in

[This cocktail, in the traditional sense of the word, was such a happy contradiction. It was the first time I had actually had cognac, a big ticket item for a poor college student, but it was served in what looked like a plastic container for salad dressing. I loved this Jerry Thomas composition so much though that it was the only cocktail I completely finished. Try this with Bols Genever or finely aged Demerara of Martinique rum – the beauty in the Jerry Thomas cocktails was the interchangeability of spirits and experimenting with this can be quite fun. Make sure to use a small glass that holds no more than 4 oz]

Manhattan Club Manhattan (ca. 1870)

Stir with cracked ice

1 ½ oz Rittenhouse rye

1 ½ oz Martini and Rossi red vermouth

1 dash orange bitters

Strain into a chilled cocktail glass and twist a swatch of thin cut lemon peel over the top.

[I never received this one but I did observe other audience members imbibe of this Gotham classic. The general consensus was that this was a wet Manhattan, perhaps too wet for many people’s tastes. I personally like wetter martini style cocktails so I’m still disappointed I didn’t get to weigh in on this drink]

Weeper’s Joy (ca. 1890).

Stir with cracked ice:

1 oz absinthe

1 oz Martini & Rossi red vermouth

1 oz Kummel

1 barspoon Grand Marnier

Strain into chilled cocktail glass and twist swatch of thin-cut lemon peel over the top.

[This drink was what Dave called the “weird one.” It certainly was an eye opener! As one can see from the recipe, the absinthe lead the drink but it did not overpower the other players in this drink. The Kummel and sweet vermouth balance out the green fairy’s bite with the Grand Marnier adding a lovely boozy sweetness to the bunch. Wondrich stated that this cocktail would have been a lot drier if the absinthe sponsor of the night made a drier product – no doubt a shot at the sweetness of Pernod’s products. ]

Modern Cocktail (ca. 1910)

Stir with cracked ice

1 oz Johnnie Walker Black Label Scotch

1 1/2 oz Plymouth Sloe Gin

1/4 oz lemon twist

1/4 oz 1:1 simple syrup

1 dash absinthe

1 dash orange bitters

Strain into chilled cocktail glass and add a cherry.

[The last drink of the class was not entirely memorable. The Modern Cocktail was announced as a combination of scotch and Plymouth sloe gin so, when I received it, I was expecting some pretty bold flavors. The sloe gin came through immediately but I did not pick up any of the smokiness I thought I would get from the scotch. I didn’t really get much of the Johnnie Walker on my palate even after several sips. The whisky was a blended product so a more toned down flavor should be expected but I still fell as if I was robbed of an exciting scotch cocktail. You may want to play with the ratios on this one or just think of it as a nice sloe gin drink]


This is where the Cocktail Classic started feeling less like a university lecture hall and more like a party. As the audience entered the room Gary and Audrey were dancing merrily about the room and the feeling from everyone, even after a day of boozing was pure electricity. I got a great table up front and before the lecture even started tables were laughing and chatting about how great the days festivities had been so far.

I think the room had such a fun feeling to it because it was the last lecture of the event and everyone had realized what a big hit the preview week had been. We were all so excited for what would come next and in many ways this class had the sense of accomplishment and celebration – we really did it, we just had the greatest cocktail event in Manhattan so, before you head home let’s have one last good time.

This seminar really was a good time. It was the biggest congregation of personal icons I had ever been too. In one room I was with Robert Hess, Charlotte Voissey, Audrey Sanders, and Gary Regan. It was a veritable pantheon of mix masters.

I introduced myself to Mr. Hess before the lecture started and he was very friendly. I thanked him for his series “The Cocktail Spirit” and everything I had learned from him. I also urged him to do more episodes on tiki drinks and Audrey loudly proclaimed “Yes! He should.” –This was going to be awesome

Audrey Sander’s section of the lecture was clear and simple: certain gins work better in certain cocktails. Her point was an extremely valuable one and demonstrated quite well with the cocktails she selected. She even provided two types of Maraschino liqueurs to compare in the delicate Aviation cocktail.

She prepared us three gin cocktails: the Aviation, the Last Word, and the Jasmine advocating for a soft gin (Plymouth), strong gin (Tanqueray), and citrusy gin (Beefeater) in each of the respective cocktails.

Gary or, as he is now known, “Gaz” Reagan covered the new western gins that don’t necessarily follow the juniper lead, London dry style. He praised Aviation gin and G’vine gin saying that if its not technically a gin “to hell with it.” His new book the Bartender’s Gin Compendium contains many recipes with these new western gins.

Hendrick’s was also mentioned and Charlotte Voisey, brand champion for Hendrick’s, was kind enough to come on stage and talk about a Hendrick’s cocktail that was featured at the end of the lecture.

Gaz was quite a gas and his British bulldog persona was charming and funny. He played well of off Audrey and he didn’t hesitate butting heads with her and audience members. When I asked a question he even called me a lady! I assured him that it was ok, and that after an event like this anyone will start to look good.

Presented are my top three favorites from this lecture along with their recipes (This was such a hard decision as so many of the drinks served during this seminar were absolutely stunning):

1004091742-00.jpg picture by boomboxatm

G, G & G

Adapted from a recipe by Ago Perrone, Connaught Hotel, London

1 oz G’Vine Nouaison

1 oz Galliano L’Autentico

1 oz pink grapefruit juice

2 dashes Regans’ Orange Bitters No. 6

1 grapefruit twist, as garnish

Stir over ice and strain into an ice-filled rocks glass. Add the garnish.


1 1/2 oz Beefeater Gin

1/4 oz Cointreau

1/4 oz Campari

3/4 oz lemon juice

Shake with cracked ice and strain into a cocktail glass


2 oz Plymouth Gin

1/2 oz Maraska Maraschino Liqueur

1/2 oz lemon juice

Till We Meet Again…

I absolutely loved this event and I cannot wait to attend the full event in May 2010. I’m hoping I will get to meet even more of my personal bartending idols such as Beachbum Berry, come on you know that New York is in store for a tiki revival and I think the bum is just the man for the job. Dale Degroff was at the preview event but I missed his class by a couple of hours. I hope that he comes back in May as he is probably the best teacher for mixology out there. The sky is the limit for this new event and I hope that I can get involved with it in the future.

Here’s to seeing you in May 2010 -CHEERS!

MxMo XLIII: Vermouth

October 27, 2009


Vermouth: a challenge to all bartenders and home mixologists alike. The general public still sees Vermouth as “toxic waste that should be used in the smallest of quantities” as author David Wondrich so elegantly put it. Cocktilians may be enjoying the relatively new bottling of Noilly Prat with its increased spices and new hue but to the general Martini drinker, Vermouth still holds a place of contempt.

Who would blame them? For years the bar going public had been coaxed into believing it. The drinking culture had a virtual book’s worth of rituals and tools aimed to undermine vermouth such as misters, rinses, and the Churchill favorite, a look towards an unopened bottle of vermouth (or France if one wasn’t around).

I have been fortunate to start my bartending hobby/career as the tide shifts back in Vermouth’s favor. The ingredient that, to cite Mr. Wondrich again, was considered to be “the St. Germaine of its time” in the nineteenth century is finally starting to get the respect it deserves in the twenty first century

Robert Hess’s Black Feather cocktail is a particular favorite that comes to mind and I just love that he bosts it has a full ounce of the “toxic waste” in it. The Pegu Club’s Fity Fity martini is another favorite, showing the joyous marriage of the spices in vermouth and the botanicals of a juniper forward gin like Tanqueray. Whether it is Italian, French, sweet, or dry, vermouth is starting to come back.


I decided to take a different approach with this MxMo and do a tiki style Vermouth drink and then provide my own recipe as a supplement. I went to the holy bible of exotic drinks, Beachbum Berry’s Intoxica and came across a composition I had never made before but had always been curious to try….

The Martiki was a house cocktail of the legendary Hawaiian palace, the Luau in Beverly Hills. Intoxica and Sippin Safari documented the tragic loss of the Luau in 1979 to developers who turned the vintage slice of oasis into a parking lot. Just as vermouth had had its resurrection, the Luau returned like a phoenix from the ashes in 2008. I have not had the opportunity to visit the new restaurant but it will be a prime destination of mine when I visit Los Angeles during the holidays. [Perhaps a Bo-Lo from Santa?]

The Martiki is a simple cocktail using the basic Martini formula and substituting a premium white rum for the gin. The idea of substituting spirits in time tested cocktails is not a new concept in either the tiki or standard world of mixology. The Buhens have been doing that for years at the Tiki Ti with modified versions of the Dr. Funk and the Blood and Sand while in the nineteenth century Jerry Thomas gave us cocktails that used brandy, whiskey, genever, or rum.

The execution of this drink is fairly simple but I found that it lends itself to adding some personal touches to the drink (highlighting a bartender’s skill and instincts).

· 1.5 oz El Dorado 3 yr old Demerara rum

· ¾ shot / 22.5 ml/1 oz Noilly Prat Dry Vermouth

· ¼ shot / 7.5 ml/2 dashes Fee Brother’s West Indian Bitters 7.5 ml /

· 1 dash Reagan’s orange bitters

Stir all ingredients with hand cracked ice and strain into a chilled martini glass


The marriage of these two phoenixes, vermouth and the Luau, seemed perfect if not symbolic. However, I found the drink to be lackluster. It was very smooth and had a nice balance between the herbal Noilly Prat and the vanilla toned El Dorado but it didn’t have the snap or pop that a good martini drink should have. Not a bad drink but not memorable either

I leave you with a drink that I think is a stronger marriage of white rum and dry vermouth. Everyone knows the Cuban classic, the El Presidente cocktail, so I won’t even bother posting that one and instead I offer you an improvisation from a 09 New Years party.

This one is called the Izzy. It was a hit with the entire crowd shattering many people’s stereotypes about what vermouth should taste like. I believe that the problems in the Martiki are somewhat solved in the Izzy with citrus and cacao adding that necessary one two punch of flavor.

· 1.5 oz El Dorado 3 yr old Demerara rum

· ¾ shot / 22.5 ml/1 oz Noilly Prat Dry Vermouth

· ¼ shot / 7.5 ml/111asddfsadf ¾ oz fresh lime juice/

· ¼ oz crème de cacao

· ¼ oz- ½ oz simple syrup

Shake all ingredients with hand cracked ice and serve up or on the rocks.

It is admittedly similar in style to the Floridita cocktail but the incorporation of the dry vermouth adds a different balance of flavors and proved to be a popular concotion that night. This was my very first MxMO and I hope to do many more – also its early but HAPPY NEW YEAR!